"Danser à l'envers, comme dans le délire des bals musette"
Imagine if you will, a Silver Apples club-cut for Rephlex, or Black Pus jamming with Yamatsuka Eye_
ZOHASTRE is a french-italian duo, whirlwind combination of spacio-tribal drums and bewitched electronics, impro-ritualistic music for trance-like FX and reverse glicht dance moves.
It sounds like you’ve crept up on a long-lost village in the valleys, peering over from behind the trees at night, staring at a huge flaming fire with the villagers in circles, everyone possessed by the incantatory power of the moon and fire (( /\/ *
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"Circumventing all that boring ‘song’ stuff for full-on sensation - ABRACADABRA is an energetic celebration conjured from the head spaces of ZOHASTRE’s Olmo and Héloïse.
Building on the spacey krautrock shivers of their 2018’s Pan and the Master Pipers LP this salivates like a Medievalised motorik quickly nipped into a laser locked sci-fi enthusiastically contracting this insane neu-techno cowbar of a groove. A brightness that’s squeezed into the dagger dance of ‘Tarantella’, it’s folksy core valve smurfed into a repetitive dazzle as that snare sonically snips to be steak-knived by sudden air horn then serotonin seeping a garbled melody. This is ace, it’s energy infectious, the percussively bulleted ‘Esplumeor’, over-driven and driving. I’m hearing imprisoned vocals or clangers, then they suddenly pull an euphorically burnt serenade from out of their sleeves.
Loving all these super-hard beats and surfing electronics, a liberating glow to be drawn into, a percussively shunted space getting messy with the cross pollination, grabbing plenty of esoteric inspiration. This groups feelers are all over the place past / future / fantasy - cauldron boiling a reactive mythology on their own terms. This was what music was like before that ‘talent show copy shop’ banished originality.
The prog-a-tron-like sliver of ‘El Tuco’, name-checking the oafish bandit from The Good, the Bad and the Ugly, as the tune skin-slips on stapled, fruiting frictions followed on by this sped up highland jig full of braille bumped pins and waspy warp.
I’m thinking Boredoms eclectic, then the loose n lovely Faust inspired motor of ‘Wizzarding’ topples that impression, jibber worms in maggoting sonic scribble, gets me cursing those lazy journo pens we like to herd our sonic experiences into. Truth be told I’m usually into gloomy insecurity with a more than a dash of darkness but I’m finding myself an eager convert to ABRACADABRA’s inventive glare. It’s gun slinging enthusiasm bruising me out of my dirge-loving complacency as that spire quake-caked rasping guitar and slamming bite of ‘Spleen’ apple-cores a sibilant post-rock sunset, that leaves ‘Rondes Et Chansons’ glitchy European folk-scene to woo me to the finish line. A playful pinch of neon paganism rupturing in a spin-washed elasticated whir-ration - What’s not to like."
- Michael Rodham-heaps
credits
released June 12, 2023
Music ▲ Heloise Thibault *electronics* & Olmo Guadagnoli *drums*
Recorded and mixed ▲ Manuel Duval at La Grange Cavale 2021
Post prod & mastering ▲ Camille Jamain at Studio de L'Atelier
Production ▲ Zamzamrec & La République Des Granges
Artwork ▲ Emy & Gaspard *Arrache-toi Un Oeil!*
))) TO THE SPIRITS OF THWDS (((
▲ ZZ77~LRDG45 ▲ 2023
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Distribution ▲ KURONEKO
Portraits ▲ Julien Bettoli
EXPERIMENTAL WEIRD MAGIC MUSIC ((( Record label created in 2011 in Bristol (Uk), now based /\ in France. Dreamlike, free
electronics, avant-garde explorations published on cassettes and vinyls. Distributed by Kuroneko (EU), The Business (US) and Rwdfwd.
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extraordinary... mesmerising. I mean, just wow. Power through repetition. Almost tribal. You can tell these are real band performances. No doubt there are some overdubs, but minimal I would guess. I hope they record another album like this... and soon. DrOz
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