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zamzamrec France
cO̘̙̯̟͇̼̭͉̘̘̙̯̟͇̼̭͉̘̘̙̯̟͇̼̭͉̘̽͌͋̍̈́̿̽͌͋̍̈́̿̽͌͋̍̈́̿͞͞͞กิิิิิิิิิิิิิิิิิิิิ ̘̙̯̟͇̼̭͉̘̘̙̯̟͇̼̭͉̘̽͌͋̍̈́̿̽͌͋̍͞͞s̸̴̥̻̥͔̹̣̪̟̰̬̹̖̲̗̼̮̮̬̅̒̔͋̉ͪ̄̽͘͟ͅ ţ̧̧̨̨̧̧̩̥̥̥̥ȩ̥̱̠͔̺̱̱̼͎͈̞̐̑̉̃̈́͒ͮ̅̒̔̊̌̒͡ļ̧̧̨̧̧̨̧̨̧̧̧̨̨̨̩̩̥̩̥̥̩̩̩̥̥̥̩ļ̧̧̨̧̧̨̧̨̩̩̥̩̥̥̩̩̩a̧̧̨̧̨̧̧̧̨̨̨̩̩̩̩̥̥̥̥̩ţ̧̧̨̨̧̧̩̥̥̥̥į̧̨̧̨̨̨̧̧̨̧̨̧̧̨̥̩̥O̘̙̯̟͇̼̭͉̘̘̙̯̟͇̼̭͉̘̘̙̯̟͇̼̭͉̘̽͌͋̍̈́̿̽͌͋̍̈́̿̽͌͋̍̈́̿͞͞͞ ̘̙̯̟͇̼̭͉̘̽͌͋̍̈́̿͞ก้้้้้้้้้้้้้้้้้้้ ... more
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GNOD have sounded different on every LP I've heard from them, but this one might be my favourite of the lot. A slow buildup in the intro track gives way to jagged noise rock riffs which morph further into pure industrial doom for the rest of the album (fittingly introduced with what sound like air raid sirens in the background), culminating in the monstrous 18-minute slab-dragger "Sodom & Gomorrah". If you dig the early Swans sound or Zeni Geva's psychedelic dirge, this might be for you.
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Infinity Machines
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One of the most thought-provoking political albums I've heard - the power mechanisms being critiqued are always just out of view, implied through seemingly overheard conversations and oppressive, claustrophobic electronics. A direct line could be drawn from punk to this via Swans' Soundtracks For The Blind, except here the anger of punk is completely dissolved into apathy and powerlessness. This is the perfect soundtrack to the modern political landscape.
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Chapel Perilous
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The hardest, filthiest groove machine on planet Earth
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Yesway
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The experimental duo build their own world from heavily processed field recordings.
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